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African-American Criticism

By Paul H Fry - Yale
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Lecture Description

In this lecture, Professor Paul Fry examines trends in African-American criticism through the lens of Henry Louis Gates, Jr. and Toni Morrison. A brief history of African-American literature and criticism is undertaken, and the relationship of both to feminist theory is explicated. The problems in cultural and identity studies of essentialism, "the identity queue," expropriation, and biology are surveyed, with particular attention paid to the work of Michael Cooke and Morrison's reading of Huckleberry Finn. At the lecture's conclusion, the tense relationship between African-American studies and New Critical assumptions are explored with reference to Robert Penn Warren's poem, "Pondy Woods."

Course Description

Course Index

  1. Introduction to Literary Theory
  2. Introduction to Literary Theory (cont.)
  3. Ways In and Out of the Hermeneutic Circle
  4. Configurative Reading
  5. The Idea of the Autonomous Artwork
  6. The New Criticism and Other Western Formalisms
  7. Russian Formalism
  8. Semiotics and Structuralism
  9. Linguistics and Literature
  10. Deconstruction I
  11. Deconstruction II
  12. Freud and Fiction
  13. Jacques Lacan in Theory
  14. The Postmodern Psyche
  15. The Social Permeability of Reader and Text
  16. The Frankfurt School of Critical Theory
  17. The Political Unconscious
  18. The New Historicism
  19. The Classical Feminist Tradition
  20. African-American Criticism
  21. Post-Colonial Criticism
  22. Queer Theory and Gender Performativity
  23. The Institutional Construction of Literary Study
  24. Neo-Pragmatism
  25. Reflections