Professor Wai Chee Dimock introduces the class to Hemingway's novel To Have and Have Not, which originally appeared as a series of short stories in Cosmopolitan and Esquire magazines. She focuses on Hemingway's designation of taxanomic groups ("types") by race, class, and sexuality, arguing that Hemingway's switch of narrative perspectives throughout the course of the novel casts every character, even protagonist Harry Morgan, as a classifiable kind of human being. In her treatment of types, she shows how Hemingway draws thematic parallels between seemingly disparate racial types, complicating the dualism of "to have" and "have not" that appears in the title.
Warning: This lecture contains graphic content and/or adult language that some viewers may find disturbing
00:00 - Chapter 1. Hemingway in Havana 04:59 - Chapter 2. Publication History of To Have and Have Not 07:40 - Chapter 3. Interconnections Between the Novels So Far 10:59 - Chapter 4. Taxonomic Groups ("Types") in To Have and Have Not 16:45 - Chapter 5. Racism in To Have and Have Not 23:20 - Chapter 6. Harry Mogan's Verbal Tic, "Some" 31:42 - Chapter 7. Harry Morgan as a Type 39:16 - Chapter 8. Symmetries between Harry and Other "Types" 45:39 - Chapter 9. The Celebrated Concept of the Cojones
Complete course materials are available at the Open Yale Courses website:http://oyc.yale.edu
This course was recorded in Fall 2011.
This course examines major works by Hemingway, Fitzgerald, and Faulkner, exploring their interconnections on three analytic scales: the macro history of the United States and the world; the formal and stylistic innovations of modernism; and the small details of sensory input and psychic life.
Warning: Some of the lectures in this course contain graphic content and/or adult language that some users may find disturbing.
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