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The Infant Cry of God

By John Rogers - Yale
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Lecture Description

Milton's early ode, "On the Morning of Christ's Nativity" (1629) is presented and discussed. The author's preoccupation with his standing as a novice poet and his early ambitions, as carefully outlined in the letter to Charles Diodati, are examined. The ode's subject matter, other poets' treatment of the Nativity, and Milton's peculiar contributions to the micro-genre are discussed, including his curious temporal choices, the competitive attitude of his narrator, and the mingling of Christian and classical elements. The rejection of the pagan world in the poem's final stanzas is explicated and underscored as an issue that will recur throughout the corpus. Additional reading assignments for this class meeting include "At a Vacation Exercise in the College" (1628), "On the Death of a Fair Infant" (1628), and "Elegia sexta" (1629).

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Lecture Transcript, Handouts, and Reading Assignment

Course Index

  1. Introduction: Milton, Power, and the Power of Milton
  2. The Infant Cry of God
  3. Credible Employment
  4. Poetry and Virginity
  5. Poetry and Marriage
  6. Lycidas
  7. Lycidas (cont)
  8. Areopagitica
  9. Paradise Lost, Book I
  10. God and Mammon: The Wealth of Literary Memory
  11. The Miltonic Simile
  12. The Blind Prophet
  13. Paradise Lost, Book III
  14. Paradise Lost, Book IV
  15. Paradise Lost, Books V-VI
  16. Paradise Lost, Books VII-VIII
  17. Paradise Lost, Book IX
  18. Paradise Lost, Books IX-X
  19. Paradise Lost, Books XI-XII
  20. Paradise Lost, Books XI-XII (cont)
  21. Paradise Regained, Books I-II
  22. Paradise Regained, Books III-IV
  23. Samson Agonistes
  24. Samson Agonistes (cont)