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  1. The course is an introduction to Dante and his cultural milieu through a critical reading of the Divine Comedy and selected minor works (Vita nuova, Convivio, De vulgari eloquentia, Epistle to Cangrande). An analysis of Dante's autobiography, the Vita nuova, establishes the poetic and political circumstances of the Comedy's composition. Readings of Inferno, Purgatory and Paradise seek to situate Dante's work within the intellectual and soc...more

  2. Hemingway, Fitzgerald, Faulkner (AMST 246)Professor Wai Chee Dimock focuses on the themes of dying and not dying that reappear throughout For Whom the Bell Tolls. Marshaling Elaine Scarry's argument on the aesthetics of killing, she reads the execution of the Fascists as a representation of both aesthetic and ethical "ugliness" in death. She then turns to a discussion of the tragic-comic dimensions of not dying as depicted in the bullfight...more

  3. This lecture deals primarily with Purgatory XIX, XXI and XXII. The ambiguity of the imagination discussed in the preceding lecture as the selfsame path to intellectual discovery and disengagement is explored in expressly poetic terms. While the pilgrim's dream of the siren in Purgatory XIX warns of the death-dealing power of aesthetics, the encounter between Statius and Virgil in the cantos that follow points to its life-giving potential b...more