cultural development


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  1. We are increasingly aware that fundamentalism is not a monolith.  It has political, cultural, social and religious implications which at times are extremely grave.  Its characteristics and impact are often defined by the culture of the place in which it develops, including North America.

  2. Early Modern England: Politics, Religion, and Society under the Tudors and Stuarts (HIST 251)Professor Wrightson discusses local particularism and regionalism in early modern England and highlights the importance of local customs and economic patterns. He then focuses on the manner in which these local areas, while enjoying a measure of cultural, institutional, and economic autonomy, were simultaneously integrated into a larger national wh...more

  3. The problematic question of when people in France began to consider themselves part of a French nation, with a specifically French national identity, has often been explained in terms of the modernizing progress of the French language at the expense of regional dialects. In fact, the development of French identity in rural France can be seen to have taken place alongside a continued tradition of local cultural practices, particularly in th...more

  4. In this lecture, Professor Paul Fry examines trends in African-American criticism through the lens of Henry Louis Gates, Jr. and Toni Morrison. A brief history of African-American literature and criticism is undertaken, and the relationship of both to feminist theory is explicated. The problems in cultural and identity studies of essentialism, "the identity queue," expropriation, and biology are surveyed, with particular attention paid to ...more

  5. The Apocalypse, or the Revelation of John, shares many of the traits found in apocalyptic literature: it operates in dualisms--earthly events contrasted with heavenly ones, present time with the imminent future, and it calls for cultural and political resistance. Its structure is like a spiral, presenting cycle after cycle of building tension and reprieve, so that the reader who experiences the text also experiences crisis and then cathars...more

  6. Anti-Americanism in France has historically been directed toward the U.S. government and corporations rather than American citizens. In the wake of World War II, the Marshall Plan for rebuilding Europe was considered by many to be a form of American imperialism. Along with the establishment of American military bases on French soil, the years after World War II bore witness to a great influx of American products, notably refrigerators and ...more

  7. In this lecture, Professor Freedman considers the importance of the British Isles in the early Middle Ages, both in their own right and as an example of a post-Roman frontier society. In the wake of the fifth century Roman withdrawal, England experienced "radical economic simplification." However, England's conversion to Christianity beginning at the end of the sixth century brought about a flourishing written culture and Latin learning. I...more

  8. After discussing his five archetypal organizational cultures, Andy Friere, Co-founder and CEO of Axialent, clarifies that while ultimately an organization wants to have each of the five cultural archetypes, the way to achieve this balance is to develop one archetype at a time over a period of years. The five cultural archetypes that Friere describes include: 1) Achievement, 2) Innovation, 3) One team, 4) People-first or 5) Customer-focused.

  9. Because drinking is such an integral part of French culture, alcohol abuse has been historically ignored. Although there have been celebrated attempts to address this problem, such as Zola's L'Assomoir, it is only in the past five or ten years that the government has seriously tried to tackle the problem of alcoholism. One of the major ways in which alcohol is embedded in the cultural identity of the country is the close association of cer...more

  10. The phenomenon of Chaplin's mythical status not only in film, but in world cultural history.  This lecture will trace the creation of the myth to Chaplin's British origins; as a child of the poorest streets of Victorian London and as an alumnus of the British music hall at its zenith.