music copyright
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Music and Popular Culture
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The founders of Google, Larry Page and Sergey Brin believe that it is incredibly important for people to have access to information around the world -- and that this is something that Google can deliver. They have run into issues with foreign governments over censorship, but recently it has not been a major problem. CEO Eric Schmidt predicts that Google will become an unintended central focus around global copyright and ownership legal issues.
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Google has been caught in the middle of free speech vs. censorship issues. The Digital Millennium Copyright Act states that if a company removes information from the internet when requested, they cannot be held liable. If the company is then counter-notified, they can put the information back up and remain legally neutral. Google has followed this policy, says co-founder Larry Page, but it has nevertheless sparked controversy.
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The phenomenon of Chaplin's mythical status not only in film, but in world cultural history. This lecture will trace the creation of the myth to Chaplin's British origins; as a child of the poorest streets of Victorian London and as an alumnus of the British music hall at its zenith.
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Wirt makes some interesting predictions about the future of digital music, digital photos, and the trends of high speed networks and increasing storage capacity. He describes a world where almost everything has a built-in hard drive for storing information, but the challenge will be keeping it all in sync.
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The Victorian age began as an age of realism, in literature and art, and of nationalism and romanticism in music and culture. By the end of the century, however, the high noon of Victorian culture was starting to give way to more disturbing developments - the disintegration of musical tonality, the emergence of abstract art, the eruption of the 'primitive' into cultural styles and the arrival of modernism onto the artistic scene. This le...more
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Ken Wirt, senior vice president of Worldwide Marketing at palmOne, graduated from the University of Michigan with a degree in the psychology of kinetic media - the evolution of how one media, such as television, turns into another, like computers. He worked for a couple small companies before attending business school at Stanford. He then got into computers at Atari, handheld devices at Apple, and online music at a startup called Riffage...more
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This is a broad ranging introductory look at performance, composition, and the cultural and ethnic context of different musical traditions. The learning pathway starts by following a student training to sing in the classical opera tradition. The vocal production techniques, and emotional and language repertoires, are looked at through the example of the Countess’s tragic aria in Mozart's ‘Marriage of Figaro’. Continuing the exploration...more
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This course is an introduction to copyright law and American law in general. Topics covered include: structure of federal law; basics of legal research; legal citations; how to use LexisNexis®; the 1976 Copyright Act; copyright as applied to music, computers, broadcasting, and education; fair use; Napster®, Grokster®, and Peer-to-Peer file-sharing; Library Access to Music Project; The 1998 Digital Millennium Copyright Act; DVDs and encrypt...more
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Psychology 116: Neuroscience Lab is a laboratory experience exploring various topics in behavioral neuroscience. Dr. William Grisham is a Professor from UCLAs Department of Physiological Science. Since July of 1996, Dr. Grisham coordinated and taught upper division laboratories in Interdepartmental Program in Neuroscience and Biopsychology majors for UCLA. Furthermore, he participated in selection and development of laboratory exercises...more
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Making Music - new technologies, well-established physics, and the issues of legality in the mp3 download generation!
