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  1. An intensive introduction to African American political thought that focuses on major ideological trends and political philosophies as they have been applied and interpreted by African Americans. Elements of the class include debates and conflicts in black political thought, historical contest of African American social movements, and discussions of the relationship between black political thought and major trends in Western thought. M...more

  2.   During the 20th century, Britain underwent a major transformation.  A country in which a law-abiding individual would hardly notice the existence of the state had become one in which, from the cradle to the grave, no one could avoid it.  An empire controlling the destiny of one-quarter of the human race, having no allies because she needed none, had become an offshore island with an ambiguous relationship towards the Continent.  How did...more

  3. Professor Blight continues his march through the political events of the 1850s. Blight continues his description of the aftermath of the Kansas-Nebraska Act of 1854, describing the guerilla war that reigned in the territory of Kansas for much of 1856. The lecture continues, describing the caning of Senator Charles Sumner on the floor of the US Senate and the birth of the Republican party. The lecture concludes with the near-victory of Repu...more

  4. Hemingway, Fitzgerald, Faulkner (AMST 246)Professor Wai Chee Dimock continues her discussion of The Sound and the Fury by juxtaposing Quentin's stream-of-consciousness to his brother Benjy's narrative subjectivity. Professor Dimock argues that Faulkner uses stylistic parallels between the two sections to communicate "kinship" and "variation" between the two narrators. In her readings, she focuses on their relationship with the black charac...more

  5. Hemingway, Fitzgerald, Faulkner (AMST 246)Professor Wai Chee Dimock focuses on the unresolved problem of race in Light in August, focusing her discussion on the variety of reflexive and calculated uses of the word "nigger" as a charged term toward Joe Christmas. She shows how the semantic burden of the word varies -- used under duress by Joe Brown and the dietician, deliberately made light of by Hightower and Bobbie, fused with the contrar...more

  6. Hemingway, Fitzgerald, Faulkner (AMST 246)Professor Wai Chee Dimock concludes her discussion of Light in August and the semester by mapping Faulkner's theology of Calvinist predestination onto race. Using Nella Larsen's novel Passing as an intertext, she shows how Joe Christmas's decision to self-blacken expresses his tragic sense of being predestined, of always "coming second." Moving away from tragedy, Dimock reads Hightower's delivery o...more

  7. Hemingway, Fitzgerald, Faulkner (AMST 246)Professor Wai Chee Dimock begins her discussion of The Great Gatsby by highlighting Fitzgerald's experimental counter-realism, a quality that his editor Maxwell Perkins referred to as "vagueness." She argues that his counter-realism comes from his animation of inanimate objects, giving human dimensions of motion and emotion to things as varied as lawns, ashes, juicers, telephones, and automobiles. ...more

  8. Lecture by Robert Gregg for the Presidential Politics: Race, Class, Faith & Gender in the 2008 Election (CSRE12) course. Dr. Gregg moderates a panel discussion by David Biale, Eddie Glaude, Imam Yahya Hendi, and Martin Sanchez-Jankowski on group affiliation and political position: faith and class.

  9. Lecture by Gary Segura for the Presidential Politics: Race, Class, Faith & Gender in the 2008 Election (CSRE12) course. Susan Andersen, Shanto Iyengar, and Valerie Smith with moderation by Gary Segura present their ideas on group affiliation and political position: race and gender.

  10. Hemingway, Fitzgerald, Faulkner (AMST 246)Professor Wai Chee Dimock introduces the class to Hemingway's novel To Have and Have Not, which originally appeared as a series of short stories in Cosmopolitan and Esquire magazines. She focuses on Hemingway's designation of taxanomic groups ("types") by race, class, and sexuality, arguing that Hemingway's switch of narrative perspectives throughout the course of the novel casts every character, e...more

  11. Lecture by Professor Al Camarillo for the Presidential Politics: Race, Class, Faith & Gender in the 2008 Election (CSRE12) course. Professor Camarillo discusses why and how race, faith, gender and class matter.