world literature
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This lecture deals with Dante's representation of the Earthly Paradise at the summit of Mount Purgatory. The quest for freedom begun under the aegis of Cato in Purgatory I reaches its denouement at the threshold of Eden, where Virgil proclaims the freedom of the pilgrim's will (Purgatory XXVII). Left with pleasure as his guide, the pilgrim nevertheless falls short of a second Adam in his encounter with Matelda. His lingering susceptibility...more
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The accounts of Paul's travels in The Acts of the Apostles and Galatians seem to contradict each other at many points. Their descriptions of a meeting in Jerusalem--a major council in Acts versus a small, informal gathering in Galatians--also differ quite a bit. How do we understand these differences? A historical critical reading of these accounts does not force these texts into a harmonious unity or accept them at face value. Instead, a ...more
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The final cantos of Inferno are read with a view to the role of the tragic within Dante's Comedy. Using Dante's discussion of tragedy in the De vulgari eloquentia as a point of departure, Professor Mazzotta traces the disintegration of language that accompanies the pilgrim's descent into the pit of Hell, the zone of treachery, from the distorted speech of Nimrod in Inferno XXXI to the silence of Satan in Inferno XXXIV. The ultimate triumph...more
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The principles of interpreting the New Testament in this course assume a historical critical perspective. The historical critical method of interpreting a text privileges the intended meaning of the ancient author, the interpretation of a text's original audience, the original language the text was written in, and the avoidance of anachronism. However, for most of the last two thousand years, this has not been the method of interpretation ...more
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The last class of the semester consists of a brief recapitulation of topics in the Divine Comedy addressed throughout the course, followed by an extensive question and answer session with the students. The questions posed allow Professor Mazzotta to elaborate on issues raised over the course of the semester, from Dante's place within the medieval love tradition to the relationship between his roles as poet and theologian.
